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The Quiet Art of Lighting a Kitchen
The Quiet Art of Lighting a Kitchen
The Quiet Art of Lighting a Kitchen
The kitchen is the hardest-working room in the home — and the one most often lit like a parking garage. Here is how we layer light so it actually works, and still feels like a room you want to linger in.
The kitchen is the hardest-working room in the home — and the one most often lit like a parking garage. Here is how we layer light so it actually works, and still feels like a room you want to linger in.
The kitchen is the hardest-working room in the home — and the one most often lit like a parking garage. Here is how we layer light so it actually works, and still feels like a room you want to linger in.
M.V
Marian Visterniceanu · Principal designer
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7 min read
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Bring this article into your first conversation.
Share the passage and explain how it relates to the home you are planning.
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Why kitchens get lit wrong
Why kitchens get lit wrong
Why kitchens get lit wrong
Most kitchens are lit from a single overhead source — a row of recessed cans, or one central fixture. Either way, when you stand at the counter you block the light with your own body. The result is a bright room and a dark work surface, which is exactly backwards. Reflective surfaces make it harder. Stone counters, glossy cabinets and stainless appliances bounce light around and throw glare, so simply adding more ceiling light usually makes the room harsher, not clearer.
Most kitchens are lit from a single overhead source — a row of recessed cans, or one central fixture. Either way, when you stand at the counter you block the light with your own body. The result is a bright room and a dark work surface, which is exactly backwards. Reflective surfaces make it harder. Stone counters, glossy cabinets and stainless appliances bounce light around and throw glare, so simply adding more ceiling light usually makes the room harsher, not clearer.
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The three layers of a kitchen
The three layers of a kitchen
The three layers of a kitchen
Every kitchen we finish gets three independent, separately-switched layers. Skip one and the room either glares or goes gloomy. Task — bright, shadow-free light on the counters and cooktop. Under-cabinet light does most of this work: it sits between you and the surface, so nothing casts a shadow. Ambient — soft overall fill so the room reads evenly and the ceiling does not go dark. Cove light or a few well-aimed fixtures, not a grid of downlights. Accent — the warmth and the drama: pendants over the island, a glow inside glass-front cabinets, a small light on open shelves. “A kitchen with one ceiling light works against you all day. Light the counters first, and the room finally cooks.”
Every kitchen we finish gets three independent, separately-switched layers. Skip one and the room either glares or goes gloomy. Task — bright, shadow-free light on the counters and cooktop. Under-cabinet light does most of this work: it sits between you and the surface, so nothing casts a shadow. Ambient — soft overall fill so the room reads evenly and the ceiling does not go dark. Cove light or a few well-aimed fixtures, not a grid of downlights. Accent — the warmth and the drama: pendants over the island, a glow inside glass-front cabinets, a small light on open shelves. “A kitchen with one ceiling light works against you all day. Light the counters first, and the room finally cooks.”
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Fixtures that earn their place
Fixtures that earn their place
Fixtures that earn their place
Kitchens tempt people into over-lighting. A well-planned kitchen rarely needs more than a handful of sources — the right ones, on the right circuits. — Continuous under-cabinet light along every run of upper cabinets. — Two or three dimmable, warm pendants over the island. — Discreet ambient fill — cove or a few well-aimed fixtures — for the room as a whole. — A small accent inside glass cabinets or above open shelving. 3000K — the colour temperature we specify over kitchen counters. Warm enough to feel like a room rather than a lab, clean enough to read true colour on stone, wood and food.
Kitchens tempt people into over-lighting. A well-planned kitchen rarely needs more than a handful of sources — the right ones, on the right circuits. — Continuous under-cabinet light along every run of upper cabinets. — Two or three dimmable, warm pendants over the island. — Discreet ambient fill — cove or a few well-aimed fixtures — for the room as a whole. — A small accent inside glass cabinets or above open shelving. 3000K — the colour temperature we specify over kitchen counters. Warm enough to feel like a room rather than a lab, clean enough to read true colour on stone, wood and food.
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Mistakes to avoid
Mistakes to avoid
Mistakes to avoid
Three errors account for most of the kitchens we are called in to re-light. Skipping under-cabinet light. It is the single biggest upgrade in any kitchen, and the one most often value-engineered out. Put it back — nothing else lights a counter as cleanly. One switch for the whole room. Prep wants bright, even task light; dinner wants a low warm glow over the island. One switch gives you neither. Put each layer on its own dimmer.
Three errors account for most of the kitchens we are called in to re-light. Skipping under-cabinet light. It is the single biggest upgrade in any kitchen, and the one most often value-engineered out. Put it back — nothing else lights a counter as cleanly. One switch for the whole room. Prep wants bright, even task light; dinner wants a low warm glow over the island. One switch gives you neither. Put each layer on its own dimmer.
Questions
Questions
Questions
How bright should kitchen task lighting be?
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Bright and even, right at the work surface. The goal is shadow-free light on the counter and cooktop — which is why under-cabinet light matters more than a brighter ceiling fixture. Put it on its own dimmer so you can ease it down after dinner.
Is under-cabinet lighting really worth it?
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What color temperature is best for a kitchen?
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Can I improve kitchen lighting without renovating?
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M.V
Marian Visterniceanu
Principal designer, ImPERFECTION DESIGN. Creates the design concept and leads the decisions that shape each home. New York · New Jersey · Florida · International.
Meet Marian
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